From the DailyWire:
Giant, Climate-Killing Mural Of Greta Thunberg Now Graces Downtown San Francisco
A massive mural of teenage climate activist Greta Thunberg is going up on a building in downtown San Francisco in an effort to force citizens of the Bay Area to think critically about their contribution to global climate change.
…
“I think It’s a very important mission to try to awake some citizens that they are wasting a lot of energy and resources for no reason, and I think it’s very important to try to help in a way,” he told TIME magazine. “People need to know about these things.”
“I usually don’t paint political stuff, because it kind of gives you people who will love it and people who will hate it,” Cobre added. “But this one I think was really important.”
If Cobre truly intended to “help” the cause of battling climate change, though, he might have jettisoned his preferred medium, aerosol spray paint. The 60-by-30 mural is expected to require hundreds of the climate-killing color to complete.
OneAtmopshere.org is supplying the paint, and would only admit to the artist using around 133 cans, which they say Cobre plans to repurpose into a sculpture to prevent the highly toxic items from ending up in a landfill. But The Blaze reports that a similar, smaller mural by the same artist took more than 500 cans to complete. The Thunberg mural will likely take closer to 700 cans to finish.
Just think of all the propellant CFC’s released, which we are told have tremendous GHG potentials as much as 7000 times that of CO2 and contributes to Ozone layer loss. Oh, the ironing!
Meanwhile, parodies of the mural are emerging.
https://babylonbee.com/news/greta-thunberg-mural-equipped-with-laser-eyes-that-shoot-at-suvs
Humour, sarcasm and satire are the strongest weapons against this ridiculous and irrational church of climatology. You can’t reach these people with facts. They have built their identity around this ideology and will smite you if you dare scratch it. However, with subtle, smart humour, you might be able to convince some of these corporate marketing victims to think for themselves.
I think that’s right.
Plus they are dealing with short attention span, low information audiences so they will run but they can’t easily hide from satire stuck to them.
She’ll be on t shirts and the new Che Guevara.
It is makes no sense the left embraces it.
Calling all paintball champions.
A couple of notes about the TV broadcast about the mural. First of all, the nitwit reporter tries to be clever about the portraits’ “Mona Lisa smile”. Double Ugh. She really isn’t smiling in the portrait. She looks a little severe and disapproving.
Secondly, there is a great shot of the artist at work wearing a HUGE respirator. What ever propellant is in those cans, he doesn’t want to inhale the toxic paint. So environmentally sound it could cause cancer.
I’ve got it now. The Colossus of San Francisco.
from Wiki…
Plot
Jeremy Spensser (Ross Martin), the brilliant young son of a New York family of scientists and humanitarians, is killed when hit by a truck as he chases his son’s toy airplane. His death occurs on the eve of his winning the “International Peace Prize”, and he leaves behind a wife (Mala Powers) and young son (Charles Herbert).
Jeremy’s father, noted brain surgeon William Spensser (Otto Kruger), is distressed that his son’s gifts will be denied to mankind. He conceives a plan to give Jeremy’s excellent mind another chance to benefit humanity by transplanting the brain (which he has revived and kept on life support) into an artificial, robotic body. William convinces Jeremy’s brother, Henry, an expert in automation, to assist with the process in secret.
Because of its horrific appearance, the huge colossus (Ed Wolff) they’ve created is kept in seclusion for nearly a year, secretly continuing Jeremy’s work on new food sources. However, deprived of normal human contact and possibly of its “soul”, Jeremy’s mind slowly begins to lose its humanity. He kills his brother, who has fallen in love with Jeremy’s wife, and then speaks to his father of the futility of providing food for “the slum people of the world”, when it’s “simpler and wiser to get rid of them”. As Jeremy’s mind loses control of his mechanical body, other unexplained powers suddenly emerge from the strictly mechanical body, including mind control of humans and a death ray emanating from both its eyes.
Finally, Jeremy’s out-of-control body goes on a rampage in the United Nations building, killing several people. Only when Jeremy’s young son confronts the cyborg is Jeremy able to restore his self-control just long enough to tell the boy how to switch off and destroy the body of the “colossus”.
Look up fetal alcohol syndrome and feel sorry for the poor child,she is being abused by people, including her parents,who should be ashamed of themselves. Truly evil.
Apparently the building is owned by a Republican. It is understood that he far from impressed with said mural being painted on his building. Now this should be interesting.
Aerosol cans use dimethyl ether now, not CFCs, and have done for years. DME (CH3-O-CH3 ) has zero effect on the ozone layer, and quickly breaks down in the atmosphere, so no greenhouse effect.
“If Cobre truly intended to “help” the cause of battling climate change, though, he might have jettisoned his preferred medium, aerosol spray paint. The 60-by-30 mural is expected to require hundreds of the climate-killing color to complete.”
Not to mention:
https://www.google.com/search?q=yearly+costs+public+transport+graffiti+cleaning&oq=yearly+costs+public+transport+graffiti+cleaning&aqs=chrome.