
Guest essay by Eric Worrall
The Guardian thinks climate change is so “dire”, people can only make sense of it with the help of science fiction.
According to The Guardian;
Climate change is so dire we need a new kind of science fiction to make sense of it
Star Trek was one way of dealing with the social anxieties of the 1960s. Since sci-fi mirrors the present, ecological collapse requires a new dystopian fiction.
Build an imaginary world in your mind, hanging in space. Spin it around a bit; kick the tires. Now change one thing about that world. Throw a bug of your choice into the machine. What if the oceans reclaim your coastal cities? What if you can’t support life? What if the life you bear can’t support you?
…
It can be difficult to conceive of something so enormous through facts alone. But the right fiction can be a mirror, a map and a crystal ball, helping us to see ourselves in the world, negotiate our way out of disaster and imagine how we might live differently.
…
The point is that Anthropocene fiction isn’t just science fiction; nor is it just climate fiction. It’s both those things and more. It is all the stories we should tell our children: near-future tales of ecological systems, collapse, responsibility and possibility along with visions of long-term cohabitation with our own environment. The point is to show them not just how the story ends but how we might get through the middle – while we still have a shot at changing it.
Read more: http://www.theguardian.com/commentisfree/2015/aug/20/climate-change-science-fiction
I must say, I find the green obsession with frightening the kids with apocalyptic fairy tales, dressed up as predictions, a little disturbing. My parents didn’t let me watch Star Trek, until I was old enough to understand that what I was seeing was just entertaining fiction.
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“What if the life you bear can’t support you?”
Thats about the only true suggestion there.
Trying to mitigate AGW will most surely make our lives unsupportable – everyone except the Gores, Clintons the Sorros and Princes Phillip and Charles and co etc.
Cheers
Roger
http://www.thedemiseofchristchurch.com
That’s part of the problem; the notion that your children are supposed to support you.
Did they get to vote on that before they were born ??
g
You know what I was just thinking we needed more of? Self-appointed, self-righteous arbiters of what other people should do with their talents.
Don’t have enough of those, nope.
Because many people in the west lost faith they are looking for another reason to feel sinful. The responsibility for men made climate change is a perfect substitute for that. So no chart, no scientific proof, no statistics will change that, because climate change is a narrative deeply inprinted in a faithless materialistic society that has a bad conscience because of their unique prosperity.
+10
Agree! No coincidence that affluent countries are most susceptible to this nonsense. They are the only ones who can afford it, and they are the only ones who suffer from the guilt of prosperity. I have often thought declining religious belief was being replaced by CAGW. Religious guilt was at least channelled into something occasionally useful like charity. CAGW guilt gets channelled into something more intrusive to others.
Dunno ’bout YOU, but I have no guilt about MY prosperity whatsoever!
Which probably makes me Very, Very Bad. 😉
I’ve long called the alarmism a ‘precious conceit of a Western elite’, but since both ‘precious’ and ‘conceit’ are used in a somewhat archaic fashion, it is rarely understood.
I don’t care; art demands it.
==================
Keep doing it!
“that what I was seeing was just entertaining fiction”. Eric, you’re risking a photon torpedo attack; fiction indeed!
If I ever meet an angry Klingon I’ll apologise… 🙂
So the Parisites meeting in France later this year are no more than a glorified book club?
The problem is that people who routinely deal in fantasy eventually come to believe it is the only reality.
Who reads the Guardian and why?
No-one knows what motivates those four faithful subscribers, Phaedrus. It’s been quite the mystery for years.
The BBC it seems. They are in their own little echo chamber of doom.
http://www.express.co.uk/news/uk/580037/BBC-buys-more-copies-of-The-Guardian-than-any-other-newspaper
(sorry for the link to the express but I think they got the facts right this time)
Surely Al Gore pretty much owns the climate sci-fi market with An Inconvenient Truth. Nice literary twist putting a novel in the form of a non-fiction book. And talk about your unreliable narrator. Gore is a master.
Truth is stranger than fiction, unless you’re dealing with the fiction of climate change. I look to actual news stories for my entertainment, like the following headline:
What could be more entertaining than stuff like that? Certainly not climate change fiction.
There already is: Fallen Angels.
http://www.amazon.com/gp/product/0743471814?ie=UTF8&camp=1789&creativeASIN=0743471814&linkCode=xm2&tag=insta0c-20
Not sure the True Believers would approve though.
Thanks! Looks great. I just got the Kindle version. Comments/reviews are great too!
Seems like some of the commenters are fairly prescient: “The foes seem to be crystal gazing numbskulls called greenies.”
Fallen Angels was published in 2004. There’s nothing prescient about it. You could already see a pervasive presence of uncritical environmentalism in government. The key to the current state of things is really the ’80s and ’90s. In the US, regulations had become effective enough that rivers were no longer in danger of catching fire and the air over California looked far less forbidding. The problem then became “how do we keep our jobs” since environmental protection has succeeded and should have gone into a station keeping mode. So, those who want to “protect” the environment have to go looking for new worlds to regulate. Guess who applies for jobs with environmental agencies? Also, the private sector pays better, so guess who turns up in control of critical agencies lie the EPA?
Wherever in hell did you get that bit of misinformation? Fallen Angels (“…a Prometheus Award-winning novel by science fiction authors Larry Niven, Jerry Pournelle, and Michael Flynn published by Jim Baen”) first hit print in December 1992</b?.
Ah, my Baen copy says 2002 on the copyright page, but it is hard cover. You can look “inside” on Amazon “First hardcover printing, October 2002.” You, and Wikipedia, are correct though, the original copyright is 1991. I made the classic mistake and “assumed” the hard back was first and never read the rest of the copyright page. Thanks for the correction.
Matching Wiki-bloody-pedia against the Baen Books Web site, I’d cede the latter (“First printing, December 1992“) greater credibility than the former.
When I read “Fallen Angels” years ago it was free, now that’s not the case, perhaps now that the tide of public opinion is shifting Apocalyptic Global Warming to a non-concern, making an honest dollar is once again more important than getting a message out.
Fallen Angels had been an entrant in the Baen Free Library for a number of years (Baen had been the original publisher, and decidedly unlike most publishing houses, Baen tries to keep good midlist writers’ stuff in print and available to readers new and old, despite the damage done to the industry by Thor Power Tool (1979).
Baen Free Library only offers the titles listed when they’ve got the authors’ (or the authors’ heirs’) permission to do so, and that permission can be withdrawn at any time. Authors tend to like having the earliest titles of their published series in the Free Library (apparently, in some cases, after they’ve largely “earned out” their bricks-and-mortar retail potential), chiefly as an enticement to get new readers interested in purchasing sequels or other novels written by the authors.
In other words, the Baen Free Library had been undertaken (and continues being run) for the express purpose of “making an honest dollar” by way of the good old capitalist ploy of offering free samples to whet the customers’ appetite.
It’s also a way for Baen Books to put new titles in publication at minimal cost – like, for example, their Reading Guides – whose commercial appeal probably couldn’t have justified print runs or hard-to-get shelf space in stores.
I think we should be teaching the children how to detect malarkey 🙂
Yes indeed Mr. Timesayear.
Also how to detect hogwash, drivel, pablum, hooey, poppycock, jive, balderdash, and bunk.
If you raised kids and you didn’t look at their curriculum, you never noticed that, although the school administration and the state educational standards usually “emphasize” critical thinking, they don’t teach it any more. Lots of tears shed over that. Since the schools won’t teach critical thinking, the parents have to, if they know how.
Those, too, lol.
An answer to this is to have more skeptical cli-fi / sci-fi. Here is a FREE skeptical novelette first launched here at WUWT in December 2012, which newer visitors may not have come across:
http://www.smashwords.com/books/view/273983 (various formats).
The work also featured in Judith Curry’s Christmas 2012 cli-fi review.
The “green” blob..
This could be a movie about the EPA. LOL
The EPA is a toxic orange blob that just claims to be green. They just released their spores into the Animas River to spread the EPA blob across the American West.
Oh course, the answer to The Blob was CO2.
Too many words-
The Guardian thinks climate change is so “dire”, most people think it is science fiction.
Well the dire wolves weren’t so bad. So what is so bad a bout ” dire ” ??
What we are seeing hear is yet another ‘its not the message but the way its delivered ‘ approach to why the public are just not buying into ‘climate doom’
We have had 30 years of climate science fiction by the IPCC and now we see climate fiction with the NOAA’s adjustment of temperature data and the claim that July has the warmest month every measured.
A request for more climate fiction is pathetic.
Climate science fiction has no effect on reality. The planet is about to abruptly cool.
Actually, one of the classic SF themes is highly relevant. The government, or whoever runs the society, creates a distorted and terrifying picture of the world beyond the confines of the society (e.g. a city), in order to control and contain the society. An excellent and fairly recent film, “The Island”, is a perfect example of this.
In today’s world, unscrupulous people are trying to convince us that our future is “dire” unless, of course, we do what they want. They do this by corrupting the science with alarmism and by “adjusting” the data, in order to create a false picture of what has already happened and of what lies ahead. This is a very close equivalent of the classic SF theme.
Chris
Exactly.
They aren’t interested in getting us to “imagine how we might live differently.” They are interested in making us live differently.
“imagine how we might live differently.”
Why this terrible, terrible painting, and what does it have to do with the noble genre of science fiction?
“Weird Tales” could make a strong claim to being the birthplace of modern science fiction. Arthur C Clarke, Isaac Asimov, Robert E Howard, many of the science fiction and horror fiction greats wrote for weird tales, or grew up reading it.
I think sci-fi became an alternative vehicle for men’s transcendent ideas and desires when what we knew as classic religious faith “went out of style.” The beautiful irony of that is that sometimes the medium has served to illustrate tenets of faith, not just dystopias that toy around with our fears.
Anyhow, in a similar sense, the medium could be artfully and artistically used to show what asses most of these modern climate “scientists” be. Just like sci-fi walked away from God, it has now also walked away from even secularly verifiable scientific tenets.
The “Tengu” is a nice touch.
The illustration was cover art for a popular “pulp” (think cheap, for the masses) magazine, and should be understood in the context of its time, as containing images familiar to movie-going audiences, particularly boys, of the early 1930’s. The hero and heroine on the left bring to mind Tarzan and Jane (the man, in particular, dressed like a savage but with the high forehead and intense expression of then-current film idol John Barrymore; the hugely successful first Johnny Weissmuller “Tarzan” flick was in 1932, just two years prior to this). The demon-like figure on the right is a knock-off of, for example, “Nosferatu”, the flick that started the vampire craze, in 1922 (and remade in the UK in 1929, just 5 years earlier than this); the hands of the demon, thrust out and menacing, were just those of many a “night creature” and “Creeper” character (think of those hands, projected as a menacing shadow on a convenient wall; the image has been popular in political cartoons, probably since the advent of political cartoons in big-city newspapers (cities with all those dark alleys and shabby, dimly-lit dives, where the dangerous characters were to be found, all too often, in real life).
Just like the Guardian, science fiction predictions are also ‘written’ by our UK’s MET Office every day.
Yesterday evening, they predicted that today (Friday), would have thunderstorms around lunchtime followed by rain all afternoon and into the night until around 11:00pm.
Today’s MET Office update says it’s going to be cloudy with sunshine all day! No mention of thunderstorms or rain.
To repeat what most have questioned before, if ‘authority’ cannot accurately predict what the weather is going to do within 24 hours, how the heck can they know that our planet will be in the grip of ‘dangerous climate change’ in twenty years from now?
not just today Geejam here in the south they predicted 3 days of thunderstorms – all been disappeared now. How credible are their predictions into the future on any timescale?
Precipitation forecasts should always have a probability attached to them.
Here in Florida, it rains nearly every day in Summer.
But it does not rain in every location every day.
And thunderstorms that have not formed yet are difficult to predict with any particular precision.
If conditions are all lining up for a very high probability, it is still only a forecast of a probability.
And it is only a forecast of the probability that x % of the next gazillion days will have thunderstorms.
It will tell you exactly nothing about whether tomorrow or July the 4th will have a thunderstorm.
g
“You might get rich writing peer reviewed science fiction. If you really want to get rich, you start a green religion” to misquote and misspell EnRon-Hubbard
The Guardian opinionist is obviously out of touch with science fiction. Climate collapse has been covered numerous times by numerous authors. Some times they spin a great story, most times though the stories are pure dreck and you never hear of the author again. I could give a list but I am too lazy. Trouble is though most modern “Cli-Fi” is clearly message fiction and eventually once it gets lauded by all the right thinking people it disappears from view as being poorly written.
The problem is that most professional science fiction writers are educated and experienced in the “hard” sciences, and have therefore been skeptical of this preposterous bogosity. The only one (to the best of my knowledge) who’s committed himself to the AGW error – now more properly classified as a criminal fraud – is Ben Bova.
By all means, unleash the membership of SFFWA on this topic. The climate catastrophe clowns are gonna get a dose of the proper medicine for what ails them.
The late great Isaac Asimov wrote some of the best science fiction but he also wrote science “fact”. In 1971, concerned about world population increases he predicted that by the year 2000, man’s social structure would have utterly collapsed and that in the resulting chaos as many as three billion people would die……
Many SF writers bought into the Malthusian premise in the 60’s and 70’s.
I’ll grant that Asimov was a brilliant man. I like many of his short stories and non-fiction books, but I’m not a fan of his SF novels. I tried to read the “Foundation” series several times but found it turgid, boring, and exasperating.
Also, Asimov in his SF consistently advocated a “ruling class” of elites with dictatorial powers (as do many SF writers, unfortunately).
I’ll take Heinlein, Niven, and Pournelle over Asimov any day.
Niven, Clarke, Haldeman, Saberhagan…
Lary Niven was and still is the best.
Oh, cannot leave out Robert Heinlein.
Bear in mind that the first book of the original Foundation</i trilogy was a “fix-up” cobbled together from Asimov’s shorter fiction produced primarily for John W. Campbell’s Astounding between 1942 and 1944. Similarly, Foundation and Empire and Second Foundation were “fix-ups,” each consisting of two novellas that had been published separately in Astounding.
Asimov’s style of fiction writing had been justly castigated as “for the most part talking heads against a barely effected backdrop,” with exposition declaimed in largely Gernsbackian mode. After exposure to writers like Poul Anderson, Keith Laumer, E.E. “Doc” Smith, Murray Leinster, Fritz Leiber, and especially Robert A. Heinlein in my youth, Asimov’s stuff came across as stultifying. “Gosh-wow” ideas lots of the time, but “oh, brother!” dialogue.
As for his politics, Asimov was one of the Futurians, a bunch of Golden Age fans who, in the ’30s, were uniformly leftard. Some were members of the Communist Party, others avowed Troskyites, some dabbling in Technocracy, others fascinated by fascism (i.e., right-wing socialism).
Libertarian Asimov was not, as might be inferred from his “psychohistory” premises.
All that being acknowledged, I find him a helluva writer of expostulatory prose. I have to wonder what it might’ve been like to hear his take on Climategate 1.0 (17 November 2009).
My contention is that good science fiction has some basis in reality.
If you go to the science fiction section on Netflix, you will see the same themes repeated over and over again:
Vampires
Zombies
Climate Disasters
Not very much interesting here.
One wonders what a climate disaster is. You can have weather disasters; a climate disaster is not possible.
Read some of the quotes at the Guardian. There are a few gems.
“Cli-Fi”
“idiocracy” is our future.
“Data change deniers”
97% of Climate Science Fiction Scientists agree! It’s a good living spinning these yarns!